“What appeals most to me in Levon Eskenian's instrumentation is the extremely meticulous, clear cut work approach without unnecessary ‘composing’ and ‘cleverness’ – when in the wilderness of silence the tiniest intervention is done with sound, which is very characteristic of Gurdjieff's works. There is deep silence at the core of Gurdjieff’s music that relates us to the Ecclesiastes chapter of the Bible, or to the truth told of deep silences from faraway lands, a stillness that has not been darkened at all, and has the degree of density that leaves the Gurdjieffian silence immaculate.” – Tigran Mansurian

ECM has had a long involvement with Gurdiieff’s compositions, starting with Keith Jarrett’s recording in 1980 of the “Sacred Hymns”, which brought about an international revival of interest in the music. Now this fascinating project by Levon Eskenian and his ensemble returns the Gurdjieff music to its inspirational sources.

To date Gurdjieff’s compositions have been studied, in the West, largely via the piano transcriptions of his gifted amanuensis, the Russian composer Thomas de Hartmann. Now, however, Levon Eskenian goes beyond the printed notes to look at the musical traditions that Gurdjieff encountered during his travels, and rearranges the compositions from this perspective. This revelatory recording gives the listener the experience of hearing Gurdjieff in full colour and in close-up, as it were Gurdjieff from the source, rather than filtered through western classical interpretation, Gurdjieff with the instruments of the East. Eskenian draws attention to the roots of the pieces in folk and spiritual music, aided by Armenia’s leading practitioners of traditional music, with whom he founded the Gurdjieff Folk Instruments Ensemble in 2008.

G. I. Gurdjieff, philosopher, spiritual leader, author and composer, was born in Armenia, but his work and particularly his music is just being rediscovered there. Performances of his music, considered a double threat because of its progressive and religious implications, were discouraged during the Soviet years.

Levon Eskenian turned his attention to Gurdjieff while studying at Yerevan’s Komitas Consevatory. An encounter with ECM’s “Chants, Hymns and Dances” recording – the 2003 album with new Gurdjieff arrangements by Anja Lechner and Vassilis Tsabropoulos – also prompted him to think deeply about Gurdjieff’s sources, as he recognized a number of the tunes as clearly related to folk songs or sacred songs of the region, to songs he’d known since childhood.

The logical consequence of this work was the founding of the Gurdjieff Folk Instruments Ensemble in 2008. The group gave its first concerts in Gyumri (Alexandropol), Gurdjieff’s birthplace, and recorded its debut album in Yerevan in the winter of 2008. The recording was mastered by ECM in Munich in 2011.