The compositions here are mostly named after mythical and legendary locations, each of them conferring specific atmospheres. Fictional and real-world place names are interspersed. From Minas Tirith, Tolkien’s White City, the players travel, via the Utopian river, to the sacred mountain of Ararat and onward to Bensalem, mythical island in Sir Francis Bacon’s New Atlantis, somewhere to the West of Peru, where an enlightened citizenry labours to improve man’s understanding: “We have twelve that sail into foreign countries under the names of other nations (for our own we conceal), who bring us the books and abstracts, and patterns of experiments of all other parts.”

In his selection of literary and philosophical quotes for the CD booklet, Battaglia casts a net that similarly brings far-flung traditions into juxtaposition, referencing Rumi and Rimbaud, Hildegard von Bingen and Black Elk of the Oglala Sioux: these are just some of the names that fire the composer’s imagination. Yet it is not a musical patchwork that he has created from such influences but an original concept that seems to spring from a strong, organic centre. The trio has its own deep pulses and its own methodology. There is a robust lyricism at work as modal improvisations unfold.

“The River of Anyder” was recorded in November 2009 in the exceptional acoustic of Lugano’s Auditorio Radiotelevisione Svizzera, with Manfred Eicher producing.